Monday, November 30, 2009

GQ Men of the Year - Lawrence Leung



Congrats to Lawrence for winning the GQ Men of the Year Award - Comedian of the Year
He was up against the likes of Charlier Pickering, Josh Thomas, Tim Minchin and Dave Hughes.
From Melbourne, Lawrence Leung is a comedian, writer and director, best known for his ABC series Lawrence Leung’s Choose Your Own Adventure. The show, which is based on “all the things I wanted to do as a kid but never got around to because I grew up”, has built a cult following.

Lawrence Leung: "Thanks GQ for recognising me as a man instead of a manchild. This [award] is going to the pool room with my other capital letters."

Police investigating 1987 murder arrest man in Berkeley


Detectives investigating the murder of a grandmother in Sydney more than 20 years ago have arrested and charged a man in Berkeley.

Unsolved Homicide Team officers attended a facility on Flagstaff Rd just after 11am yesterday where they arrested 46-year-old man of no fixed address.

He was taken to Port Kembla Police Station where he was charged with being an accessory after the fact to robbery in company, and receiving stolen property.

He is the third person charged by police investigating the death of Indonesian migrant Po Cin Lim.

On October 5, 1987, Ms Lim was standing at the corner of Goulburn and Pitt streets in Sydney's CBD when a man reached out of a passing van and grabbed her handbag.

The 66-year-old was dragged alongside the vehicle for several metres and fell head-first to the kerb.

The van drove off, and Ms Lim died the next day in St Vincent's Hospital.

In July last year, Strike Force Alukea was formed to re-visit the death and, on November 4 that year a 48-year-old man walked into Grafton police station and identified himself as a person of interest in the investigation.

Then in May this year, a 45-year-old man was arrested in Bundaberg in Queensland and extradited to Sydney.

The man arrested in Berkeley will appear in Wollongong Local Court today.
IllawaraMercury

Pedalling for a world of peace and harmony




COLIN LEE, a 29-year-old man from Ryde, was farewelled yesterday morning by Citizenship Minister Virginia Judge, as he set off to ride from Sydney to Melbourne.

Lee (pictured) is setting off on the journey as part of Pedallers for Peace, and will ride alongside Emily Alexander (18, Bahai), Mohamed Assoum (20, Muslim) and Evian Gutman (25, Jewish).

They will arrive in Melbourne in time for the Parliament of the World’s Religions meeting next Wednesday.

“Our pedallers for peace are setting in motion a pre-Parliament of the World’s Religions youth dialogue started in Sydney two months ago,” Ms Judge said.

“They are an inspiring group of young people, spreading a message of peace and harmony across two states.”

The 1050km journey will be filmed for a major documentary as the group rides through the Illawarra and along the South Coast.

They will conduct school visits and interfaith events in Thirroul, Kiama, Nowra, Ulladulla, Batemans Bay, Narooma, Bermagui, Merimbula and Eden before crossing into Victoria.

More than 10,000 people will participate in the Parliament of the Worlds’ Religions meeting, which addresses issues such as indigenous spirituality, health, education and peace building.

The Dalai Lama will speak at the closing session on December 9.

Friday, November 27, 2009

Peril Magazine - Issue 8 Out Now!




Edition 8 - Why are people so unkind.

I've been waiting ages to read this issue.

Note that there are two pages of articles just in case you miss some.

Articles Page 1
Interview with Kamahl
Editorial
Why are we so unkind?
The original introduction to "Growing Up Asian in Australia"
Interview with Pyuupiru
Poetry
Watch out for LOCA  -they can incite a riot!
Michelle Malkin - Awful yet strangely hypnotic

Articles Page 2
Interview with Haruka Yamada
Grass Liquor
Teh Halia
Why are people so unkind?

Thursday, November 26, 2009

The Temper Trap at the ARIAs


 
Not interested too much in the ARIAs.  I know what music I like and couldn't care less if they win or don't win any awards.  But I was channel surfing tonight and caught a glimpse of The Temper Trap playing live.  They are a rock band from Melbourne.  The lead vocals is Dougy Mandagi.  Dougy was born in Indonesia and moved to Australia when he was 19.  He also lived in Hawaii for a while.  I don't think he's Australian, but he is in an Australian band, so we'll claim him.

The Temper Trap were nominated for the breakthrough artist album award and the highest selling album award but were beaten by Ladyhawke and ACDC respectively.

Below are their songs Sweet Disposition and Science of Fear






Jess Mauboy had seven nominations and won the highest selling single award.

War hero Jack Sue farewelled

Senior military personnel and dignitaries joined hundreds of mourners at Swanbourne's Campbell Barracks to pay their final respects to WA war hero Jack Wong Sue.

The funeral was held at the headquarters of the Australian Special Air Service Regiment in honour of Mr Sue’s war time service with the ultra secret Z Special Unit, who are widely regarded as the founding fathers of the modern SAS.

Hundreds gathered at the SAS garden of remembrance in silence with bowed heads as Mr Sue’s coffin, accompanied by an honour guard of SAS troopers, was laid out for the service by family members.

Behind the seated mourners, at least 100 other soldiers from all three arms of the Defence Force stood to attention in dress uniform while a lone piper played.

The Commanding Officer of the SAS, who cannot be named for security reasons, said the funeral was about honouring a great warrior.

“Warriors never really die, they simply move onto the next battle,” he said.

“Z-Force, men like Jack Sue, can rightfully claim to be the founding fathers of the Special Air Service Regiment.”

“Jack Sue is a true son of Australia. May his spirit guide us, and watch over us, as we the SASR strive to reach his benchmark.”

The Commander of HMAS Stirling, Capt Brett Dowsing of the Royal Australian Navy, said Mr Sue was a “remarkable man amongst remarkable men,” held in respect by all three arms of the Defence Force.

“He was a seaman who joined the Airforce and did army things” he said.

Other speakers included the Chaplain of Z Special Unit, Dr Shalom Coleman, and retired RAAF Sqdn Leader Ian Fogarty.

Tears flowed as Mr Sue’s son’s Kam and Barry Sue spoke of the loving family man behind the legend.

“Underneath the uniform, there was a heartbeat and a soul, a softness,” Barry said.

Mr Sue, who died last Tuesday aged 84, was sent behind enemy lines during WWII as part of Z Special Unit.

The Unit was charged with getting information on Japanese troop movements in the lead up to the Australian invasion of Borneo.

The mission was deemed so dangerous and sensitive, that all seven members of the unit were issued with suicide pills, which they were to take if captured to avoid giving away information during interrogation.

Mr Sue’s efforts during the war earned him the Distinguished Conduct Medal.

Barry Sue said this afternoon’s service was just what his father would have wanted and a fitting conclusion to the life of a great West Australian.

“If Dad could he’d jump out of that box and say, it’s good to be here with the boys.’”

The West

Join the Asian ANZACs page.

Tuesday, November 24, 2009

Banana Split - Portable Film Festival

I stumbled upon this short film on one of my forays into the internet world.

It's called Banana Split and is about growing up Asian in Australia and also Malaysian-Chinese-Australian in Australia.  Written by Sharon Chung and directed by Clinton Tan in 2005,  it was entered into the Portable Film Festival in 2006.

Synopsis
Grab a taste of Malaysian-Australasian life! The culture, the family, friends and bananas lah! An authentic recipe for what it takes to grow up as a foreigner in your own kampong (backyard).




If the video does not come up you can access it directly at http://www.youtube.com/watch?v=CF9VF1toZTg

Festival video site here.

Victor Chang killer refused parole

ONE of the men convicted of the murder of world renowned surgeon Victor Chang has been refused parole after a public outcry about his release.

Phillip Lim, 50, was due for release earlier this month after he served his minimum sentence of 18 years.

But the decision was "vacated'' last month to allow fresh submissions to be made by the New South Wales Government.

A NSW Parole Board hearing in Parramatta today heard it was not in the public interest for Lim to be released.

Judge Terry Christie cited the fact that Lim would almost certainly be deported to Malaysia upon his release.

"The (parole) authority recognises the need to maintain public confidence in the administration of justice,'' said the parole decision statement, handed down by the judge.

Judge Christie said Lim's parole would next be considered in August or September next year.

Dr Chang was shot dead on a footpath at Mosman in Sydney's northern suburbs on July 4, 1991, in a failed extortion attempt by Lim and Chew Seng (Ah Sung) Liew.

Lim and Liew were given maximum sentences of 24 and 26 years respectively.

Jim Counsel, who led the police investigation into the murder, said he was satisfied with the decision.

"We were very happy with the result, in particular for the family,'' he said outside court.

"This has not been a nice experience for them but I think that they'll be happy that the result has been what it has been.

``I think the justice system is working well.''
Corrective Services Minister John Robertson will be commenting on the decision at midday (AEDT).
News

Koga on the prowl for Tiger's Crown



Kota Kagasaki, like most aspiring golfers, dreams of one day beating Tiger Woods.

What makes Kagasaki special is that he has already come within a whisker of achieving his goal - at the age of 12.

Child prodigy Kagasaki, who plays off a handicap of just four, took on Woods one-on-one in a Nike exhibition event at Japan's Narita Golf Club earlier this month. Perhaps even more extraordinary is that the St Stephens College student from the Gold Coast went shot for shot with the greatest golfer of all time and almost beat him.

At the end of their nine-hole contest, Woods finished one-under. His young opponent carded a respectable one-over.

''[Woods] is really gentle, a really nice person,'' Kagasaki told The Sun-Herald.

''When I first met him one-on-one I was a little bit nervous, but when I went to the golf course I wasn't nervous at all.

''My goal was to win two holes against him and I only won one. But winning and losing wasn't the point of the round, it was about me learning.

''It's been a really good starting [point] for me.''

Already, the similarities between the pair are startling. They are both part Asian (Kagasaki was born in Japan before shifting to the Gold Coast via Hawaii and New Zealand). Both are sponsored by Nike.

And both showed an amazing aptitude for the game from the time they first picked up a golf club. In Kagasaki's case, that pivotal moment occurred on his eighth birthday.

''My dad took me to the driving range,'' recalled Kagasaki, who turned 13 during the week.

''He was hitting some golf balls and I said, 'I want to hit some as well.'

''I tried a right-handed swing but everything I do - writing and eating - I do with my left hand.

''Right-handed, I didn't hit it too well. I swapped to my left hand, got some rental clubs and started hitting left-handed.

''The first ball I hit, I hit it pretty good.

''From there, it became really fun.

''Since it was my birthday I asked my dad to get me a set of golf clubs.

''In the pro shop, luckily, there was a junior left-handed golf set.

''I asked him to buy that for me as a birthday present and then I started hitting in the driving range with my new clubs.

''A couple of professional people were watching me.

''They asked me when I started and I said, 'Today is just my first day.'

''They were, 'You're kidding, right?'''

''That's how I started.''

Only four months after he started, he produced his first hole-in-one. Four years later he was hitting up with Tiger. The next time they cross paths, Kagasaki expects to reverse the result.

''My dream is to go to the US PGA by 18 and win against Tiger Woods by the time I'm 20,'' he said.

''I hope I can. My goal is to beat him. I have to keep on breaking his [majors] records to beat him as well.''

Asked what he took from the Woods experience, he replied: ''He taught me a lot of things over the nine holes.

''What he told me was, 'Keep doing what you're doing.'''

The expectations are high but Kagasaki insists his main motivation is simply the love of the game. His coach, father Yoshi, expects the precociously talented youngster to do just as well at school as on the course.

''I wasn't forcing myself to play, I was just enjoying it,'' Kagasaki jnr said.

''I really liked it so I just kept on hitting golf balls.''
SMH

Where am I on television?

Opinion piece by Lara Song from Korean Bulletin which seems to be a short lived Korean-Australian news site.

In my senior years of high school, I used to watch the television show ‘Beauty and the Beast’. For those not aware of the program, it was hosted by the late Stan Zemanek (who really played up the part of being the obnoxious, foul mouthed ‘Beast’), with a different panel of ‘Beauties’ every show.

Viewers would write in letters with problems of varying consequence and the bevy of ‘Beauties’ and the ‘Beast’ would give their solutions (or at least their opinions) on the matter. The more difficult challenge for the ‘Beauties’ would prove to be on dealing with the onslaught of verbal attack and put downs from Zemanek if they happened to disagree with his typically hard line right wing conservative point of view.

Needless to say, it was compelling television viewing. One of my favourite ‘Beauties’ was Dr Cindy Pan. I was always that little bit extra excited when she was on the show. She was always so poised, calm and assertive in a charming, likeable way. She had an air of authority about her when she spoke. Plus, she was Asian.

There were no other Asian Australians on television regularly at the time, not one that I was aware of at least. So to me she was an oddity, unique, and deserving of admiration. She was the closest that I could see myself on TV. Not that I necessarily wanted to be on TV you see. But she represented something that I could be if I chose, and more importantly a feeling that there was someone who seemed to reflect me in the mainstream Australian media.

Growing up in the nineties, I was desperately searching for role models - someone or a group of people I felt represented me, in the media. Someone I felt I could really relate to, perhaps by way of looking like me, maybe with a similar background, or possibly a similar upbringing. Someone who would understand me and my way of looking at the world as an Asian Australian, or even as an ethnic migrant Australian. But unfortunately, I didn’t find much.

I remember in my early teens, I went through a phase when I watched quite religiously the dramas unfold in Summer Bay and on Ramsay St (otherwise known as ‘Home and Away’ and ‘Neighbours’). Never at the same time of course (for some odd reason, there seemed to be two camps during high school, and watching one precluded you from watching the other). I relished in the drama of the shows. But over time, it slowly dawned on me that rarely did the people on these shows reflect me, my group of friends (who were and are of various ethnic backgrounds), my family or the community of people that I was a part of in suburban Sydney. I lived in a culturally diverse community; why didn’t these shows reflect that? When was the last time you saw a Korean family, a group of Lebanese girls, or Sudanese brothers on Home and Away?

Sadly and unfortunately, these ideas and images of what an ‘Australian’ is, is also broadcast to some one hundred nations around the world through these programs. I find it quite amusing (and a bit annoying) when I meet tourists from overseas who upon walking through the city are surprised at the ethnic diversity we have in Sydney.

It may seem that I’m picking on Neighbours and Home and Away, but I only mention them because they are iconic Australian programs and are accepted as such. They are meant to reflect the Australian way of life. However, in an interesting report by Britain's racial equality chief, the show Neighbours was branded “too white” by black and Asian viewers in Britain. Trevor Philips who is the Equality and Human Rights Commission Chairman said that Britain’s major broadcasters remained “hideously white” when choosing programs. Perhaps Australian broadcasters can also take heed.

I am aware that I have made no mention of SBS, the multicultural and multilingual broadcaster. Certainly as a public broadcaster set up for this purpose, they promote cultural diversity in all forms in their television and radio programs. Programs like ‘Fat Pizza’ have gained popularity beyond SBS into the cultural consciousness of the mainstream public. Hence I’m concerning myself with only what is broadcast on the commercial networks, which more accurately reflects the level at which we have embraced ethnic diversity on television.

It’s not all bad news however. I’ve observed it’s a very different story when it comes to reality programs. Shows like ‘Australian Idol’ and ‘So You Think You Can Dance’ (SYTYCD) which is based on the skill, talent and popularity of the contestants usually have a broad ethnic and cultural mix of Australian society. From Guy Sebastian and Natalie Grauci off Idol to Demi and Saramsa off SYTYCD, these shows present the personalities, the stories and the talents of the performers, and we end up falling in (or out of) love with them for who they are. I wonder if the diversity of talent on these shows is a factor in its success perhaps.

Aside from the reality shows, has Australian television embraced more diversity and difference in the ‘noughties’? I believe yes. I’ve noticed a greater range of ethnicities particularly on commercials, TV shows, the news, and other programs (think Fuzzy off Video Hits, Ahn Do the comedian, Karen Tso from Channel Nine news, Nuala Hafner from Channel Seven weather). I think if nothing else, commercials will have to reflect more accurately the consumers they hope to target their products or services if they want to be competitive, and it seems that they along with the commercial networks are slowly coming around to that idea.

I have only made mention of television so far but there are other mediums of media that are undeniably under-represented by a broad spectrum of ethnicities including talk back radio, publishing e.g. magazines, and Australian literature although we seem to be slowly progressing on all fronts (‘Growing up Asian in Australia’ is a particularly relevant and entertaining book; a collection of stories edited by Alice Pung).

I believe that if we look ahead ten years from now, we would have moved even further ahead on the road to reflecting more accurately on television and in other media, the cosmopolitan multicultural society that we are. We must, to be a more inclusive society, one that accepts and embraces a person regardless of where they are from and is happy to represent that image to the rest of Australia and to the rest of the world. That is my vision for Australian media anyway. I think it’s an inevitable change and it’s happening now as we speak. However, as citizens of this beautiful country we call home, I think we all need to question and challenge what we see more on television. And most importantly, get involved ourselves. As Gandhi’s famous quote goes, perhaps we need to first be the change that we want to see in the world.

Nam Le's The Boat wins Prime Ministers Literary Award

THE venue might have been a clue. Against the creaking masts of Sydney's National Maritime Museum, The Boat by Nam Le was named winner of the $100,000 Prime Minister's Literary Award for fiction yesterday

The much-awarded debut collection of short stories by Le, 30, who came to Australia as a Vietnamese refugee, covers a cosmopolitan cast of characters, from a Colombian gang member to Vietnamese boat people. ''Le combines almost reckless artistic boldness with highly disciplined craft,'' said the judges.

In announcing the awards, the Minister for the Arts, Peter Garrett, did not mention the political timeliness of Le's subject but others noted topical themes running through the winning books.

''Both [non-fiction] books are about the disease of the 20th century - racism,'' said Phillip Adams, the non-fiction judges' chairman.

''They are all books about arrival in Australia,'' said James Boyce, author of the short-listed history Van Diemen's Land.

Le's win kept the fiction award in the ranks of debut authors as Steven Conte's first novel, The Zookeeper's War, won the inaugural award last year. Le's win recognises that ''short stories are so much part of our literary tradition'', said another short-listed novelist, Peter Goldsworthy.

Le could not be at yesterday's function, but in a speech read by his publisher, he thanked the judges for rewarding a ''collection of unlinked short stories from an ex-lawyer'' and said he felt ''like a petty thief on murderers' row'' in the company of the other finalists: Goldsworthy, Murray Bail, Geraldine Brooks, Richard Flanagan, Joan London and another first-timer, Sofie Laguna.

Books, he said, ''are the truest means of telling and showing us to ourselves, that they do a strange, unaccountable, irreplaceable work that the loose, baggy monsters of film, TV, and internet cannot''.

Jail stint avoided over student death silence

A 44-year-old man who failed to notify authorities of the death a Chinese student in Hobart has avoided going to prison.

John Edward Mollineaux last week pleaded guilty to one charge of failing to report a killing.

The charge followed the death of Zhang Yu at New Town in June.

In the Supreme Court in Hobart today Mollineaux received a six month suspended sentence.
ABC

Trooper Billy made a rifle sing

THE Great War, now known as World War I, reached its conclusion in a rail car in France and a cease-fire was declared to take place at the eleventh hour of the eleventh day of the eleventh month of 1918 – 11am, 11.11.18.

The day has been celebrated ever since as the day peace came to the world after the ‘war to end all wars.’

Later on, other wars were also commemorated on that date but it is still regarded as a World War I memorial date.

Australia joined The Great War from the beginning and it’s first major engagement came at Gallipoli, Turkey, in 1915 and while many soldiers are remembered for their acts of bravery and self-sacrifice and names became legends, only one man gained the name, ‘The Assassin of Gallipoli,’ Trooper William Edward (Billy) Sing DCM, Croix de Guerre, of the Fifth Light Horse Regiment.

It was a Queensland unit and its officers and men were primarily from the country areas.  Trooper Sing, like most of his fellow members of the Regiment, had grown up and worked with horses in the Australian bush.

Part of their cumulative stock-in-trade was an ability to ride well, estimate distance carefully, track strayed stock and animal pests, and to fire both rifle and shotgun accurately.

Sing's considerable skills with a rifle were well-known in his central Queensland home district, even before the outbreak of War. He was a member of the Proserpine Rifle Club and a leading kangaroo shooter around his home town of Clermont.

Sing signed his enlistment papers at Proserpine on October 24, 1914, and became a member of the First AIF.  Billy Sing travelled by ship to Brisbane and after a brief period of training, the ship set sail for Egypt. It was five days before Christmas 1914.

The men of the Fifth Light Horse chaffed at the bit during April, 1915. They cooled their spurred heels on the Egyptian desert, while a few hundred kilometers away their infantry colleagues were creating Australian history at Gallipoli.

The rising casualty toll on the peninsula saw Sing and his mates embark for the Dardanelles on May 16.
For the first month, the Light Horse men were scattered through the Infantry Battalions to gain some experience, but, by mid-June, they had farewelled their foot-slogger comrades and rejoined their Regiment, when it moved to the seaward side of Bolton's Ridge.

In honour of a young English-born Light Horse officer, the new position was called Chatham's Post. It was here Billy Sing’s shooting expertise stood out and his lethal occupation as a sniper began.  The sniper's daily modus operandi began with his taking up his 'possie' in the pre-dawn darkness. This, and the fact he rarely left the area until well after dusk, ensured there was no tell-tale movement near him during the daylight hours.

Once Sing and his spotter were in position and had settled in, the true discipline of maintaining a quiet and motionless patience began.  This was not a job for fidgeters. It demanded infinite resolution, an almost unconscious yet alert tranquility and the steady pursuit of professional perfection - snipers rarely get a second shot at a specific target.

The equipment available to the Australian snipers at Gallipoli was basic and, in some cases, nothing more than the standard-issue Short Magazine Lee Enfield (SMLE) No. 1 Mark III .303 calibre rifle.

However, there is evidence that some former rifle club members were allowed to take their own privately purchased weapons with them when they left Australia.

Some of these same sporting shooters used rifles which had been fitted with various target and peep sights, primarily the ‘Lattey optical sight’ but, in the end, the fundamental qualifications were above-average eyesight and a cold-blooded resolve.

Sing, a methodical man, encompassed, exemplified and expanded upon all of these characteristics. His uncompromising commitment and business-like approach impressed the British commander, General (later Lord) W.R. Birdwood and other senior officers.

Major (later Lieutenant-Colonel) S. Midgely of the Fifth Light Horse, once candidly asked Billy how he really felt about killing men in cold blood. Sing replied that shooting "the illegitimates" had not caused him to lose any sleep.

It was steely comments like these - and prominent personalities such as Billy Sing - that gave Australian commanders on Gallipoli opportunities to boost the morale of battle-weary troops.

It was probably with official blessing that word of Sing's steadily mounting macabre tally was passed mouth-to-mouth like a cricket score, along the Allied trench-lines.

It was careless soldiers, as well as raw Turkish reinforcements, who presented easy targets of opportunity for the Anzac snipers. The nervous curiosity of these new-comers compelled them to snatch quick and often fatal glances over the parapet toward the Australian trenches. The actual area presented by their momentarily exposed bodies was minimal from the front. But it was the view from the flanks of the zigzagging trenches that gave a chance to the waiting Allied marksmen.

One of Sing’s better known spotters was Ion ‘Jack’ Idriess (author of ‘Desert Column,’ ‘Cattle King,’ ‘Lassetter's Last Ride’ and many other books on Australian history).

Idriess described the world of the sniper as being like a cat watching a wall with many mouse holes. Behind the holes worked the cautious mice, with ever-watchful felines waiting for just one mistake.

As the campaign moved on and Sing's persistence and accuracy took their toll, it was inevitable a response would come from the Turks.

At first, orthodox military methodology was applied to put an end to the Australian who had taken out as many as nine of the enemy in a single day. One such Turkish reaction saw Sing's growing confidence shaken by a very near miss, one quiet morning in late August at Chatham's.

Sing and his observer, on this occasion Trooper Tom Sheehan, sat silently surveying the enemy trenches, waiting for an unthinking mouse to appear. Their eyes and telescope swept the ground to the front, seeking the almost imperceptible giveaway signs.

A Turkish marksman with a similar intent seized upon a sudden and inadvertent movement in the Australian sniping team and fired on them. His shot passed through Sheehan's telescope, end to end, wounding the Australian in both hands, before entering his mouth and coming out his left cheek. The almost-spent bullet travelled on, striking Sing in the right shoulder.

Tom Sheehan was evacuated to Australia to reflect on his own mortality. It was another week before Billy Sing was physically and psychologically able to climb back up to his elevated ‘possie.’

The next attempt by the Turks to clear their left flank of the unrelenting Australian sniper was more formidable.

Reports of these efforts came to light later, from accounts by Turkish prisoners, as well as translated extracts from diaries removed from the bodies of their dead.

The Turks sent for their own champion near the centre of the front line.

The Australian’s called him ‘Abdul the Terrible’ and he was a marksman of great skill who probably relished the challenge of taking out the Australian sniper.

‘Abdul’ had already been decorated by the Sultan for his proficiency and brought with him a determination which matched Billy Sing's.

The Turk, in order to find Sing’s position, attended the sight of every sniping victim where he would thoughtfully examine the spot and reconstruct each fatal shot.

By doing this, he was able to determine the angle of trajectory and direction from entry and exit wounds and the stance of the victim at the moment of impact as recounted by those who stood nearby.

His calculations led him to gaze consistently towards Harris Ridge and then on one specific location – a small rise on the heights at Chatham’s Post.

At last he had found the lair of the too-efficient Australian killer.
The Turk selected a suitable firing position.

In the darkness of each night, he built his own position. When it was finished, ‘Abdul’ - like his Australian adversary - took up his post each morning well before dawn.

Many days were spent simply watching and waiting until eventually, his persistence paid off.  Sing and his spotter took up their position before daybreak and as he settled himself in, the observer began his day's first semi-alert frontal sweep with the telescope.  Almost immediately the man’s movement ceased and he whispered to his sniper that he already had a target.

Sing took the telescope and, glancing towards a point indicated by his spotter, he stared ahead - in the face and rifle-muzzle of ‘Abdul the Terrible.’

Carefully taking up his rifle, Sing made a final check that nothing would betray their position then gently eased the loophole cover back and cautiously pushed the weapon forward.

The Turk also saw Sing and began his own firing sequence. As he settled the rifle into his shoulder, ‘Abdul’ drew in a breath and steadily sighted it on Sing.

At that moment, a bullet struck the Turk between the eyes.

The frustrated Turks then resorted to artillery to stem Sing’s mounting tally of bodies, and with pin-point accuracy, eventually blew his position to dust – fortunately, the very first shell landed a little short which gave Sing and his spotter the chance to get away, the second shell did the damage.

Trooper Sing wasn’t just a merciless killer; he had that customary Outback Australian dry humour surrounding his daily pursuits.

This surfaced on one occasion when the Australian had as his observer, General Birdwood.

It was a windy day, not one conducive to long-range rifle accuracy. As Sing fired on a recklessly exposed Turkish head, his first shot missed, its path deflected by a fleeting gust. He waited for the wind to drop before sighting once more.

The second bullet spun a Turkish soldier out of the trench; a satisfactory effort given the blustery conditions

With a hint of virtue, mixed perhaps with unintentional irony, the poker-faced sniper told the general he would not add the latest kill to his score - he had been aiming at another Turk.

Eventually, official recognition of Sing's exceptional sniping skills began to appear.  On October 23, 1915, General Birdwood issued an order announcing his compliments on Tpr Sing’s performance in accounting for 201 Turks.

The general was obviously happier in accepting the higher, but less official score.  There is clear evidence the international press knew of the Queensland marksman and reports of his Gallipoli successes appeared in London and American newspapers.

In February, 1916, Sing was also mentioned in the dispatches of the Commander of the Allied forces, Sir Ian Hamilton and on March 10, Sing was awarded the Distinguished Conduct Medal for conspicuous gallantry as a sniper at Anzac.

By June, 1916, the AIF was bound for the battlefields of France and Belgium and Sing was posted to the 31st Infantry Battalion and was in France by August.

Over the next 19 months, wounds caused Sing to be frequently in and out of the line. He also suffered the recurring effects of old illnesses and injuries from Gallipoli.

During one period of recuperation, he travelled to Scotland where he met waitress Elizabeth Stewart, the 21-year-old daughter of a naval cook. They married in Edinburgh on June 29, 1917.

Once again, his worth as a soldier was recognized by the Allied High Command. In October, 1917, the Army Corps Commander expressed his appreciation for Sing's ". . . gallant service during recent operations".

This may have taken place at Polygon Wood in late September 1917, when Sing led a fighting patrol which succeeded in eliminating German snipers who were causing casualties among the Australians.

Sing was recommended for the Military Medal - for his work in identifying and dealing with German marksmen. But this was never approved.

However, early in 1918, he was awarded the Belgian Croix de Guerre, which may have been the result of the Polygon Wood action.

In July, Sing was posted to a submarine guard on an Australian-bound troopship. It had been almost four years since he had left Clermont for his grand adventure.

When Billy and Elizabeth Sing arrived in Proserpine, the town's residents turned out in force. A large procession, led by a local band, accompanied the couple from the railway station to the town hall, local dignitaries made welcoming speeches.

The transition from the green hills of Edinburgh to the dust and rough life of the mining district around Clermont was too much for Elizabeth Sing and she disappeared from her husband’s life.

As the post-war exuberance waned, Billy returned to Clermont. He moved on to a mining claim on the Miclere goldfield.
In 1942, he left the district for Brisbane. He told his sister Beatrice that it might be cheaper to live in the city.

Billy Sing’s Gallipoli reputation faded from memory with the increasing number of Anzacs who passed away each year and he took a labouring job which did little to help his poor health.

On Wednesday, May 19, 1943, William Edward Sing's aorta ruptured and he died alone in his room at the house where he boarded in 304 Montague Road, West End. He was 57.

Apart from five shillings, which were found in his room, and six pounds ten shillings and eight pence, owed to him in wages, the only thing of value left by Billy was a hut, probably on the Miclere claim, worth twenty pounds.
A pathetic postscript to the life of a man whose name was once known to an army and a nation.

- By the Australian Light Horse Association.
Warwick Daily News

Forgotten Carlton hero celebrated on canvas


What is it about the wonderfully-named Wally Koochew that more than 100 years after chasing the leather for the Carlton Football Club he should now be immortalised on canvas?

Though he only wore the original Carlton guernsey with the chamois yoke in four senior appearances through the 1908 season, Koochew is forever remembered as the first League footballer of Chinese origin.

And now, his portrait – in mixed media on polycotton - proudly hangs on a wall of the aptly-titled Kick Gallery in Northcote, as part of artist Tim Vagg’s exhibition, Heroes, Drunks & Bounders – Forgotten Tales of Melbourne.

For Vagg, a 36 year-old Ballarat-born artist of 15 years experience, there’s no doubting Koochew ranks as a hero.

“For the most part I’d prefer to leave judgment to the viewer, but certainly, Wally fits into the ‘hero’ category,” Vagg said.

“I originally heard a fellow named Sam Pang mention this largely forgotten story of Sino-Australian footballers like Wally Koochew and decided to follow it up. Although I’ve never done studies based on famous figures before, I wanted to provide a living memorial to people like him who didn’t get recognition in their own lifetime . . . and every painting has a distant story.”

Walter John Henry Koochew (sometimes spelled Kou Chow, Kow Chow or Ko Chow) was born in Carlton on July 6, 1887. Wally’s father, James, migrated to Australia from Whampoa, 13 kilometres south of Guangzhou (Canton), aboard the ship Frances from the port of Hong Kong in 1865 - one year after the Carlton Football Club was formed.

For James and so many Chinese, the lure of Australia was gold.

Having spent his formative years in the north-western town of Macedon, Wally Koochew was recruited to Carlton from neighbouring Brunswick. But by 1909, he was back at Macedon after an all-too-brief Princes Park foray.

Upon his retirement as a player, and after health issues intervened, Koochew ran a hot dog stand at the old Arden Street Oval in North Melbourne. He died in the Royal Melbourne Hospital in 1932, aged 44, and was laid to rest in Heidelberg Cemetery, not far from the grave of the great Australian game’s founder, Tom Wills.

The Koochew painting, which has already been snapped up by a Carlton tragic, is taken from a team photograph captured prior to the Blues’ round three match with Essendon at Princes Park in early 1908. The photo appeared in the Weekly Times of May 23, 1908.
CarltonFC

Monday, November 16, 2009

RIP Jack Wong Sue

 Jack with three of his seven children

It is with great sadness that I make this post. Jack Wong Sue OAM DCM, WW2 ANZAC, has passed away at the age of 84.

It was over a year ago on ANZAC day when I first noticed Jack while channel surfing. He was in the ANZAC day march in Perth and my first reaction was "wtf". I was confused. The commentator said something along the lines of "...WW2 veteran Jack Wong Sue..." I made a mental note to chase this up. This is something I never expected to see.

ANZAC day for me has always been a day when the whites grandstand over the rest of us. That we were just 'japs' and we were a threat to them in WWII, conveniently forgetting that the other menace during WWII were the Germans, aka whites. Or that I wasn't even a 'jap'.

So to see someone with Asian features in the ANZAC parade was truly mystifying. In my full twelve years of Australian education, not one teacher had even hinted that there may be Australians of non-white race, apart from indigenous Australians, fighting for Australia. No one ever told me about Chinese Diggers. You can see why they would omit those details.

Anyway, it wasn't until this year that I started to do a bit more research and boy was I surprised. There seemed to be so many: John Joseph Shying, Billy Sing, Jack Wong Sue, Kate Quan and many more.  There are also many who had fully anglicised names who we may never track down, and many mixed children of Chinese fathers and white mothers who took on their mother's maiden name when enlisting in the hope that they would not be discriminated against by the army/government.

In addition to these, there were also many who were denied the opportunity to fight for their country due to discrimination and many whose efforts were not recognised. The Australian Government had betrayed them.

Jack himself suffered a lot of racial discrimination and abuse before, during and after the war. Yet despite all of this he was a determined man who achieved everything with steely resolve. He took crap from nobody, not even higher ranked officers. A larger than life character who was skilled in many things, he enjoyed scuba diving and playing music with his band. I don't think my descriptions or his wiki do him justice. I really recommend reading his book "Blood on Borneo".

I had been in discussions with his son Barry on Friday about making a documentary on Jack's life, especially before and after the war. Barry had told me his father was really sick and it had gotten worse. So this afternoon when I came across a story about his passing away, I was shocked but not surprised.

We've lost one of our greatest.

Lest we forget.


Hear Barry Sue talk about his father
World War II hero Jack Sue has died in Perth at the age of 84.

Mr Sue was a member of Z Special Unit, a special forces reconnaissance unit which operated behind enemy lines in South-East Asia during World War II.

Z Special Unit was the predecessor to the Special Air Service Regiment.

Mr Sue spent months behind enemy lines in Borneo and in his memoirs claimed Z Special Unit commandos in Borneo killed 1,700 Japanese and trained 6,000 guerrillas.

Allied forces later invaded Borneo.

Mr Sue was awarded the Distinguished Conduct Medal and rose to the rank of Sergeant during his army career.

He was awarded the Order of Australia in 2006.

His son Barry Sue confirmed he died today.

In 2006, The West Australians' Rod Moran wrote of Mr Sue's war-time exploits.

Head-hunting Dyaks, murderous Japanese infantry and the tragedy of the Sandakan Death Marches in the fetid jungle of what was then British North Borneo provided the grim backdrop to teenage warrior Jack Wong Sue's experience of World War II in the South-West Pacific, Moran wrote.

His award of the Order of Australia Medal was partly for his recording of those experiences in Blood on Borneo, a remarkable memoir of his nine months behind enemy lines in 1944-45. Published in 2001, more than 17,000 copies of the book have been sold in WA alone.

But Mr Sue's trajectory to war began when he was merely 16 years old. After receiving a white feather in the mail - a symbol of cowardice - he joined the merchant navy, sailing the submarine-infested high seas on a Norwegian oil tanker.

En route, he rubbed shoulders with nazi sailors on shore leave in pro-German neutral ports, and witnessed the fiery death by torpedo of an Allied merchantman at night.

On returning to Fremantle he attempted to enlist in the Royal Australian Navy, but was rejected because of his Chinese background. The fact that he was Australian-born and that China was a wartime ally made no difference.

Ironically, it was precisely his oriental appearance and connections - as well as his fluency in Chinese and Malay - that led to Mr Sue's recruitment into Z Special Unit, an ultra-secret organisation that infiltrated agents behind Japanese lines throughout the South-West Pacific for sabotage, guerilla warfare, and intelligence gathering.

After extensive training in the ruthless methods and technologies of clandestine warfare, Mr Sue was sent into the field as agent AKR 13. Leaving Fremantle on the USS Tuna, he was inserted into Borneo to conduct operation Agas 1. He had been issued with “L-tablets”, lethal capsules to be ingested if captured. At the time, Borneo was occupied by 37,000 troops of the Japanese Imperial Army.

The aim was to gather intelligence on Japanese troop movements as a prelude to the Australian invasion of Borneo. It was during this operation that Mr Sue won the Distinguished Conduct Medal for his actions in securing intelligence at Bongawan railway station.

Mr Sue was also involved in Operation Kingfisher, a plan to rescue the PoWs at the brutal Sandakan prison camp in northern Borneo. With nearly 2000 Japanese troops in the area, Mr Sue had to reconnoitre the camp and its hinterland.

All but six of the 2400 prisoners at the camp died on the subsequent Sandakan Death Marches, or were murdered at the camp itself. Mr Sue is the last living witness to the third and final march.

Historian Lynette Silver, author of Sandakan: A Conspiracy of Silence, describes his predicament: “Into their line of vision came a contingent of Japanese guards, followed by four skeletal creatures, so starved and emaciated they looked more like mummified corpses than human beings.” They were Australian PoWs.

Mr Sue's instincts told him to kill the guards and free the prisoners. But his training told him to stay under cover. The image of his countrymen as the living dead haunted Mr Sue.

In 1945, at the age of just 19, Mr Sue emerged from the jungle emaciated, psychologically haunted and a decorated war hero. With great fortitude, he began the process of building a new life in civvy street.


Jack Sue, a quiet hero and a brave man
World War II RAAF Officer and Z Special Unit hero Jack Sue remembered
PerthNow
ABC
Yahoo

Join the Asian ANZACs page.

Sunday, November 15, 2009

Korean Australian Twins climb Youtube rankings

Meet Janice and Sonya, or JS as they're known, twins who hail from Sydney.  They've been posting cover songs on Youtube since 2008 and have steadily gained a loyal following.  They sing a mixture of songs, sometimes in Korean too, accompanied by an acoustic guitar. They have super s w e e t voices.

They've uploaded 22 songs so far but my favourite, and by the looks of it, everyone elses, is Officially Missing You by Tamia.  Keep it up girls!



Looking through some of the comments, Janice seems to be more attention than Sonya, even though they're twins.

Their official channel is here.

Saturday, November 14, 2009

Australian‐Chinese War Memorial Design Competition

 
What would be a better way to contribute to the Chinese-Australian community than to design a monument dedicated to those before us who fought and died for this country, whilst encountering lots of discrimination from their country and fellow countrymen.  Oh yeah, and you get $1000 for your winning entry.

Slowly, Chinese-Australian servicemen and women are being recognised for their contribution to this country.  Earlier this decade, a monument was installed close to the Sydney Chinatown (which I can't seem to find a lot of information on).  Even though this new monument will be built in Brisbane, entry is open to everyone across Australia.

To be eligible you must be between 18 and 25 as of the 1st of November, which unfortunately rules me out.  But hey that means less competition for you guys :) 

Entries close at 5:00pm Friday 26 March, 2010. Spread the word and get designing!
Graham Perrett and the Sunnybank RSL are working with the Chinese community on Brisbane's southside to establish an Australian-Chinese War Memorial to honour the service and sacrifice of Australian-Chinese who have served in the Australian Defence Forces.

The memorial will be erected in the Veterans Memorial Garden at the Sunnybank Sub Branch RSL in Gager Street, Sunnybank.

The Competition Organising Committee is seeking designs from 16 to 25 year-olds. The winning designer will be awarded $1,000.

Read the full conditions of entry here.

Join the Asian ANZACs page.

Thursday, November 12, 2009

Tomorrow, When the War Began


Just found this out from Maria Tran's blog, filming for the movie version of  "Tomorrow, When the World Began" by author John Marsden has begun and is set to be released next year.

The book is described as a "young adult invasion novel" - umm what?  Anyway, the book details an invasion by a foreign power.  A small band of teenagers in a small country town group together and launch a campaign of guerilla warfare.  There are seven novels in total so assuming the first movie goes well, the rest of the series will also be made into movies.

One of the main characters is an introverted Asian Australian, Lee Takkam, who is played by Chris Pang.
Lee is part Thai and part Vietnamese and keeps to himself a lot. Before the war, lee played the Violin, Piano and was good at Visual arts at school. Lee, like Ellie, becomes more violent as the war progresses and because he keeps to himself, he sometimes causes a few problems. Lee tends to kill soldiers directly (with knives and guns for example) and becomes more left out when he finds everyone's parents are okay except for his. But Lee, also like Ellie, finds his lighter side with the "feral" children.
Lee's parents own the local Asian restaurant. Yay.

Some things to note and look out for:
There's supposed to be a bit of AM/WF romance, between Lee and Ellie (played by Caitlin Stasey - quite fit).  Knowing how Australian TV and cinema depicts Asian males, it will be interesting to see how far their relationship is explored.

Lee Takkam is supposedly part Thai and part Vietnamese.  But this is really boggling my mind, a quick google of Takkam as a surname results in no matches.  Takkam does not sound Vietnamese so that leaves Thai, but that gives no results either.  I do get Tak Kam, which is cantonese.  I'm also guessing the restaurant will actually be Chinese.  What the hell was John Marsden thinking when he made up the character?  It's all the same?

The foreign invading force in the book is not named and is unidentifiable.  This was verified by an article in The Australian.  I wonder how the film will portray this.
Edit:  Just checked the forum. The invading force will be Asian!  No surprises. 

Masa Yamaguchi - Sergeant


 Andy Minh Trieu - Tanker Soldier


This movie is actually reminding me more and more of the Red Dawn remake that is being released at the end of next year.  The original had a Russian invasion but the remake will have a Chinese invasion.

Talk about Asian Invasion overload in 2010!

Wednesday, November 11, 2009

Red Cross calls for more donations from different ethnic groups



VICTORIA might be an ethnic melting pot, but as it turns out, its blood supply is not as richly diverse.

As part of its campaign to recruit more donors this year, the Australian Red Cross Blood Service is trying to obtain more blood from different ethnic groups to ensure the state's blood supply represents community needs.

Transfusion specialist Erica Wood said that aside from commonly known blood types like A, B, O and Rhesus, many other groups were found in varying frequency among people from different parts of the world.

As Victoria had become more multicultural, she said demand for these types had increased, prompting the service to encourage more people from Arab, Asian, African, Pacific Island and some European backgrounds to donate.

''We have a very diverse patient group now with all sorts of conditions that are more common among people from particular ethnic backgrounds,'' she said.

''However, our donors have primarily come from a European background.

''We've always had good support from a range of community groups, but we would like to increase that so we've got really good representation.''

The need for rare blood types was felt this year when the service had to import blood products from New Zealand and interstate to help four pregnant Polynesian women because there were no matching donors in Victoria.

''It's an ongoing issue for us. We've had a lot of people with rare blood types that could not be easily found among Victorian donors,'' Dr Wood said.

She said it was important to provide compatible blood to people with special needs to ensure their condition was properly treated and to minimise potentially fatal adverse reactions.

Harkirat Singh, from the Sikh Federation of Australia, said he started mobilising his community to donate this year to boost supplies not only for his own people, but also for the broader community. ''Our religion says that we should do these sorts of things so there is equality in the world,'' he said before giving blood yesterday.

''We are organising for people to come in every three months. We're very proud to be part of it.''

Dr Wood encouraged Victorians to donate, especially over Christmas when donations tend to drop.

''We all hope and expect that blood will be available when we or our family and friends need it, but we might not give much thought to how it gets there,'' she said.

''We really need a blood supply that will help everyone.''

To donate blood visit donateblood. com.au or call 131 495.
WAToday

Lawrence Leung's show nominated for AFI award

The list of nominations for the AFI awards has been released.

AFI AWARD FOR BEST TELEVISION COMEDY SERIES
Lawrence Leung’s Choose Your Own Adventure.

Some of the other category nominations are (I really should have thought more before I named this thread):

AFI MEMBERS’ CHOICE AWARD
Mao’s Last Dancer.

SAMSUNG MOBILE AFI AWARD FOR BEST FILM
Mao’s Last Dancer.

AFI AWARD FOR BEST DIRECTION
Mao’s Last Dancer.

MACQUARIE AFI AWARD FOR BEST ADAPTED SCREENPLAY
Mao’s Last Dancer.

AFI AWARD FOR BEST EDITING
Mao’s Last Dancer.

AFI AWARD FOR BEST SOUND
Mao’s Last Dancer.


AFI AWARD FOR BEST ORIGINAL MUSIC SCORE
Mao’s Last Dancer. 

Korean Festival hits Adelaide - Nov 14



A taste of Asia is coming to town this weekend for the fifth annual Korean Culture and Food Festival.

Rundle Park will come alive this Saturday (November 14) in a flurry of traditional dance performances, live music, taekwondo and hapkido exhibitions and kimchi making demonstrations.

There will be 16 marquees offering Korean food and drinks, as well as a rep from the Korean tourism bureau handing out information about the country.

Event organiser Chong Soon Lee says a crowd of up to 3000 are expected to attend the festivities, including many of Adelaide’s 4000-plus members of the Korean community such as Joonhee Ko and Yeryn Nah (pictured).

“We Koreans are growing here in SA so we want to share our culture and food with the community,” she says.

“We have a rich culture and delicious food as most people already know.”

Korean Culture and Food Festival, Rundle Park, cnr East and North terrace, November 14, 10am-4pm.
City Messenger

Sunday, November 8, 2009

The Question of Ethnic Diversity in the Performing Arts is Largely Avoided

The following is a piece by Ming-Zhu Hii about the lack of diversity in the performing arts and was printed in The Age earlier this year.

One of the main reasons that I started this site was because of the lack of Asian representation on Australian TV aside from the stereotypical depictions, and during my search of online material I also came across some forums where Asian Australian actors/actresses voiced their discontent with the state of affairs in the performing arts sector.  I previously posted one of the rants here - Frustrated! Where's the colour-blind casting in this bloody country!!!.  It shouldn't come as a surprise that TV shows and Plays are affected in similar ways as the writers and casting agents are always white.

I am working on a piece that summarises the state of affairs in the TV industry but in the meantime I hope you enjoy the following by Ming-Zhu Hii.  (Note, the article was a jpeg and I couldn't ffind the online article so I typed it all out for the search engines.  I have a shocking typing accuracy so if something doesn't make sense, read the jpeg version)



The question of ethnic diversity in the performing arts is largely avoided - Ming-Zhu Hii

I am now playing a Russian actor (pictures below) in realism at the MTC, alongside a predominantly white cast who are also all playing Russian characters. I am brown, yellow or olive-skinned, depending on the light in which you choose to view me. No matter how hard you might squint, however, you couldn’t call me white.

When asked about my race, I generally answer, “I’m Australian. My father is Chinese from Malaysia and my mother is a fifth-generation, mixed-bag, white, Anglo-Celtic Tasmanian.” I was born in Hobart, given a Chinese name, and grew up speaking only English. An only child of mixed-race parents in (at the time) a very white little city, I am, as they say, as Chinese as a Chiko roll.

I graduated from the VCA in 2002 with a degree in dramatic art. In my first year out, I auditioned for two Filipino roles, on Japanese, one Chinese, and one half-French, half Native-American character. Who was I to complain? At the tender age of 23, with an unclear path before me, all I was interested in was getting out of the dole queue and onto the stage. I accepted all the roles I was offered, irrespective of how uncomfortable they variously made me feel.

I realise now that everyone of them was conceived of, written and cast by a white person. They weren’t always horrific stereotypes – one was even brilliantly satirical – but they were all created largely from a white perspective, and, I can imagine, without serious ethnic consultation.

The question of race in casting is really only the beginning of the discussion. A lasting solution must embrace change in the whole sector.

For my part, as the years have passed, I have been more discerning about the projects in which I act. I have tried for or taken roles that specify race only if they are as genuinely interesting and three-dimensional as their white counterparts, but largely have favoured jobs in which race is not an issue.

In Australia, the question of racial diversity in the performing arts is largely avoided.

Cross-racial casting (otherwise known as colour-blind casting) is often regarded as a taboo subject. A Ghanaian-Australian actor doesn’t want to appear ungrateful for the opportunities she is offered, even if somewhere deep down she finds many of them to be insulting and stereotypical; similarly an Anglo-Saxon actor doesn’t want to be implicated in a matter that might jeopardise her career.

It’s increasingly ridiculous, this fear we’ll be offending those who offer us jobs by saying “I’m sick of playing sweatshop workers and taxi drivers; why can’t I get an audition for Juliet?”. Considering that two out of four Victorians were either born overseas or have a parent from overseas, almost three-quarters of these people speak languages other than English, and that nationally 2.5 percent of the population is indigenous, I can’t help but feel the performing arts have quite a long way to go.

It is not unheard of for mainstream Australian theatre casts to include one or even a few non-white artists in roles traditionally assigned to white actors. But this is rare, and the widely held view remains that cross-racial casting is a political act that might detract form the play’s content.

In the great majority of productions in this country that have been cross-racially cast, actors of various races have appeared on stage without it distracting anyone. It is only regarded as such when our primary concern is with the colour of an actor’s skin.

In theatre, more so than in film and television, where we all know that what we see on stage isn’t real – where the audience actively suspends disbelief for the duration of the performance, the reluctance to cast diversely can be regarded as a far more political gesture.

Lee Lewis wrote an in-depth analysis of how Australian theatre can overhaul its casting habits in her 2007 Platform Paper, Cross Racial Casting: Changing the Face of Australian Theatre, in which she suggests that what we see on our stages is how we go on to see our world embodied.

If this is true, and I believe it is, then we as audience members and theatre workers (actors, directors, producers alike) have an incredible opportunity now to change the way we see ourselves as Australians, to reflect how we truly are now as a nation, and how we want to be in the future. There is no quick fix for the whiteness of Australian stages, but if we can begin to look at the way we cast our plays, we will begin to re-examine the way we run our theatres, and in so doing, re-imagine how we tell our stories.


- Also check out Ming-Zhu Hii on Lee Lewis' Challenge to Australian Theatre

Curvy Jess flattens 'fat' barbs



She's beautiful, sexy, glowing with good health - and fat.

Well, you might not think so, but according to one of Perth's most successful international models, Jessica Gomes, there's plenty of casting agents and designers who do.

See the picture gallery:

As the debate around the use of skeletal models on catwalks and in magazines continues to rage, Ms Gomes - a size-eight, 176cm tall Perth-born model of Chinese and Portuguese heritage now based in New York - has spoken of her refusal to succumb to the "intense pressure" from the industry to be "very skinny and underweight".

Voted among the world's sexiest women and supermodels by American Esquire and Maxim magazines, Gomes is a Sports Illustrated swimsuit edition favourite, a Victoria's Secret model and television star in Korea and is this month's covergirl for FHM in Portugal.

In Australia and overseas, the 23-year-old stunner has modelled for a who's who of top designers and photographers and is the face of P Diddy's Unforgiveable perfume.

But while she's now in hot demand for her exotic good looks and curves, when Gomes first moved to New York at age 20 to conquer the international market after being discovered in her teens, she was shocked to be told by some casting agents that she was too fat for certain catwalk jobs. She was then an Australian size six.

In an industry rife with drug abuse, depression and eating disorders, she was also stunned at how little guidance agents offered to young models on maintaining their health.

Gomes, who credits her loving family with teaching her to value her health and quality of life over being thin, said while she found the criticism hurtful, there were "more important things than being thin". "I love that I'm a sexy, curvy, exotic beauty," she said. "I feel powerful and beautiful inside and out."
Yahoo

Film to be Made About Balcony Horror

The cousin of a man who raped a Korean male student and his Chinese girlfriend is making a film about the attack.

Brendan David Dennison is charged with the attack on the couple, who later jumped off the balcony to escape their attacker.  The Chinese girl died whilst the Korean boy suffered a serious leg injury.  Dennison attended court on the 6th of November and is due for another appearance on the 11th of December.  His lawyers have indicated that he will plead guilty to most of the charges.

Dennison is charged with five counts of aggravated sexual assault while armed with the knife - three involving sexual intercourse with the woman and two with her boyfriend.
He is also charged with indecently assaulting the boyfriend and using the knife to threaten the two surviving women, aged 19 and 20, with intent to have sex with them.

Dennison is further charged with robbing one of those women of $50 and the other of her Hello Kitty wallet containing $120 and her personal identification.

In relation to each of the four students, he faces a count of detain with the intention of obtaining sexual gratification.

Finally, he is charged with inciting the boyfriend to commit an act of indecency on the three women, and on Dennison, and of inciting one woman to commit an act on the student who later died.
SMH

The cousin of Dennison, known only as "Evan", has been in contact with the Chinese girl's mum and has told them that a film is being made called "The Land of Dreams".  The reason he stated for making the film was to "comfort the victim's parents".

I really have to question whether this is the right thing to do.  "Evan" probably feels guilty that a member of his family commited this crime and thinks that making a movie will clear his guilty conscience.  A film about the ordeal will force the parents to relive what their kids went through, and this would reopen the wounds that have been slowly healing for the past year.  I seriously doubt they would want to watch it in the first place.  I hope that "Evan" changes his mind.

Asian Australian Identities 3 (AAI3) Conference: Regionalising Asian Australian Identities



Asian Australian Identities 3 (AAI3) Conference: Regionalising Asian Australian Identities
Curtin University, Perth, Australia
13-14 November 2009


REGISTRATIONS OPEN

The Asian Australian Studies Research Network, in collaboration with the Centre for Advanced Studies in Australia, Asia and the Pacific (CASAAP), Curtin University, presents the Regionalising Asian Australian Identities conference, to be held at Curtin University of Technology, Perth, Australia, from 13-14 November 2009.

Building on the momentum of previous successful Asian Australian Identities conferences, AAI3 considers the importance of understanding Asian Australian identities and communities within both regional and transnational contexts. In holding the 2009 conference in Western Australia, we are particularly mindful of the rhetoric of the rise of ‘Asia’ which has sustained much of the State’s (and nation’s) boom years. From distanciation to fascination and engagement, Australia’s relationship to Asia continues to inform the culture and politics of the nation. At the same time, the conference theme also reminds us to look into our own backyards and to consider the often neglected histories of the nation’s own regional encounters with Asians, in particular Asian-Indigenous interactions in the north of Australia. How does the articulation of ‘Asian Australian identities’ fit within these shifting terrains? And how might we reconsider Australia’s relationship to Asia and to its own local regions in new and productive ways, particularly as it affects identity formation?

As Asian Australian studies comes of age, what new pathways will the field take? Do we (continue to) learn from the direction Asian American studies has taken? Does Asian Australian studies have a role to play in the growth of Inter-Asia cultural studies? What kinds of conversations might scholars in Asian Australian studies have with their counterparts in North America, Europe and Asia, as well as with ‘locals’ from regional parts of Australia?

Keynote speakers include:

* Koichi Iwabuchi (Waseda U)
* Krishna Sen (U of Western Australia)
* Jon Stratton (Curtin U)
* Featured Artist - Mayu Kanamori

For tickets or more information, click here

Saturday, November 7, 2009

50 Years of Time Magazine - Victor Chang article


 
Time magazine has been in Australasia for 50 years and to commemorate, have chosen a representative  for each decade it has been printing in this region.

Victor Chang has been selected for the decade 1979-1989, for giving hope that Australia's attitudes towards asian migrants was changing.  Sadly, he was murdered in 1991 by two kidnappers.  One of the kidnappers, Choon Tee Lim, was to be released on parole after serving a minimum of 18 years prison time.  Chang's family were not informed of the pending release as they were not on the victim's register, which only contains details of victims of crimes that occur after 1996.

You can read the article here, or read below (shamelessly copied and pasted from Time Magazine)


 

1979-1989 Victor Chang

In 1999, Australians taking part in the People's Choice Awards, a kind of pop-culture popularity contest, had a choice to make. The four finalists for Australian of the Century were Dawn Fraser, a beloved swimmer from the 1950s and '60s, Donald Bradman, the greatest cricketer ever to pick up a bat, Fred Hollows, an eye doctor whose techniques had helped a million or so people see again, and Victor Chang, a Chinese-born Australian heart surgeon. It might surprise non-Australians used to seeing the country as a bastion of old-fashioned white values that the nation's television viewers opted for Chang.

Australians loved Chang, a softly spoken Shanghai-born doctor who collected heart-surgery breakthroughs and fast cars with equal passion. The son of Australian-born Chinese parents, he arrived in 1953 to finish his high-school studies. By the time he was murdered in a botched robbery in morning traffic on a July day in 1991, he had become one of the country's great immigrant success stories, and, at that time at least, a rare Asian face in Australian public life. Lauded for re-establishing heart transplant surgery in Australia, after the field had languished due to the risks and costs, he founded the highly successful National Heart Transplant Program in 1984, created an artificial heart valve, taught his skills to doctors from around the world, and was working on an artificial circulatory system when he was killed. "When no one else was putting their hand up, he was saying, 'Yes, we want to do [heart transplants],'" says Dr. Phillip Spratt, director of heart and lung surgery and transplantation at St. Vincent's Hospital, where Chang worked. (See TIME's health and medicine covers.)

Chang was part of a larger tale. One of the defining narratives in 1980s Australia was the beginning of large-scale Asian immigration. Modern Australia has always been an immigrant nation; since 1945, 6.8 million people have arrived from the four corners of the globe. For much of that time, though, immigrants were overwhelmingly from Europe. The Immigration Restriction Act of 1901 established what became known as the White Australia Policy, which effectively shut out Asians and other non-Europeans. As Australia's first Immigration Minister, Arthur Calwell, said in 1947: "We have 25 years at most to populate this country before the yellow races are down on us."

The end of that racist policy in the late 1960s and early '70s saw nonwhite immigration edge up. Tens of thousands of Vietnamese and Cambodian refugees arrived in the late 1970s and Asian immigration expanded even faster in the 1980s. In the mid-1970s just one Asian country, India, made the top 10 source countries for immigrants to Australia. A decade on, China, Hong Kong, Malaysia, the Philippines, Sri Lanka and Vietnam joined it on the list. The Labor Party, which held power for most of the decade, saw immigration as a way to make Australia as dynamic as places like Singapore and Hong Kong. It was "the only tool readily at hand to challenge our complacency, smugness and parochialism," as one immigration official argued.

Unsurprisingly, the new immigrants were met by some anti-Asian sentiment, often focused around ethnic crime, gangs and joblessness. A fierce national debate was sparked in 1984 when the renowned University of Melbourne historian and academic Geoffrey Blainey decried what he believed was a disproportionately high level of Asian settlers. In 1988, then opposition leader (later Prime Minister) John Howard sparked further debate when he called for the rate of Asian immigration to be slowed for the sake of social cohesion.

Twenty years on, Australia is a different nation. Chinese languages rank among the most spoken in the country. A quarter of all Australians are foreign-born, compared to just 11% of Americans, and 6% of all Australians consider themselves ethnically Asian. Victor Chang would have been amazed by this rapid reinvention. But in his wake, Asian immigration has had a major impact in business, economics, politics, the arts, science and food. "Vietnamese is the new meat pie," says Andrew Jakubowicz, professor of sociology at the University of Technology, Sydney. Prominent Asian Australians include the Federal Minister for Climate Change, Penny Wong; John So, the former lord mayor of Melbourne; Henry Tsang, the former deputy lord mayor of Sydney; fashion designers Akira Isogawa, Jenny Kee and Lisa Ho; chefs Kylie Kwong and Tim Pak Poy; filmmaker and 2005 Young Australian of the Year Khoa Do; comedians Lawrence Leung and Anh Do; neurosurgeon Charles Teo; violinist Susie Park and artist Shen Jiawei.

Australia's Asian influx is reshaping the look of the country. A report this year on mixed-race marriages by Australian National University and Monash University academics found a striking rise in intermarriage between third-generation Asian Australians and white Australians. Their growing number of mixed-race children are the most visible symbols of a new country.

The nation, however, continues to grapple with its cultural identity. Australia is "caught between geography and history, and it continues to be uncomfortable," says Professor Jakubowicz. "We are [no longer] I think, a forlorn outpost of empire, but we are not either an Asian-Pacific nation." Yet even that judgment is changing. Australia's cities have long boasted statues of British monarchs and English explorers. Now, a bronze statue of Chang, dressed in surgical scrubs and clasping a stethoscope, stands sentinel in front of the new $73 million building that houses the Victor Chang Cardiac Research Institute in Sydney. From its plinth, the statue smiles serenely as nuns, office workers and doctors bustle by, scurrying down streets framed by huge industrial cranes and countless Thai restaurants.

Verghis is a Sydney-based freelance journalist and the daughter of south Indian migrants from Malaysia

Thursday, November 5, 2009

Aussie wins at Asia-Pacific blog awards





Mr Gadget has won the award for the Best Geek Blog at the Nuffnang Asia-Pacific Blog Awards.  His blog can be seen here http://www.mrgadget.com.au/

Another AA who was a finalist in this category is Michael Aulia whos blog can be seen here http://www.michaelaulia.com/blogs/


You can view the award being announced below


News

On a side-note, Helen Yee's Grab Your Fork blog was listed by the UK Times Online as one of the world's top 50 food blogs.

Blogging is not as widespread in Australia (read Eurasian-Sensation:The Asian-Australian Blogosphere) so it is quite awesome to see Australian blogs winning awards at the international level.

Pioneering spirit lives




The descendants of a 19th century immigrant have flocked to the North Shore 125 years after his arrival.

Up to 100 descendants of Thomas Wong Doo, some from as far as New York, celebrated their Kiwi and Chinese heritage with a reunion lunch at New Dragon World Restaurant in Birkenhead.

Thomas Wong Doo joined his brothers in the "New Gold Mountain" of New Zealand in 1884 when he was about 15.

"He came over in virtually his shirt and pants and took over the market garden," grandson Thomas Wong Doo III says.

Mr Wong Doo eventually returned to China and married, later bringing his wife Unui to New Zealand where she was one of the first female Chinese immigrants.

He loaned others £100 for the poll tax Chinese immigrants had to pay – the equivalent of a year’s wages, his grandson says.

Mr Wong Doo even sponsored a large group of people to migrate in the lead up to the closing date for Asian immigration in the early 1900s.

"He helped the Chinese when they came in, fed them, housed them, helped them look for jobs. The Chinese live in clans. Thomas looked after the Wong clan."

Even now family members still offer their help to new immigrants through the Kwong Cheu Club which Mr Wong Doo founded in 1923.

"To further the dynasty we’ve got to do good in this world, charity, not just looking after ourselves. It’s good for the whole family."

After making their fortunes and the family were established, the couple returned to China but were forced to come back after the Japanese invasion, Mr Wong Doo III says.

Their Chinese properties and land was lost in the Japanese invasion, civil war, and take over by communism in 1949.

The market gardens where Mr Wong Doo worked in Grey Lynn were named Chinaman’s Hill after him.

His son Norman Wong Doo went on to be Auckland Grammar School’s first Chinese student during the late 1920s and early 1930s, Norman’s son, North Shore resident Dennis Doo, says.

"He used to tell me he had his shirt ripped off his back because of racial discrimination."

Mr Wong Doo III says such behaviour was not uncommon.

"When you’re an immigrant in any country you’ve got to prove yourself, you’ve got to put up with all these things. This is what the Doo family have done – work hard, get integrated into society, get involved with charities."
North Shore Times